Istanbul-Damascus: Transcultural Memory And Architecture of Modernity Prototyping

Abstract

During the studied period, the Syrian architectural realizations were stimulated by the charting reformists’ discourse, reflecting their contrasts and promoting three main tendencies: first, conserving the local and Ottoman architectural traditions and supporting the artistic autonomy; second, improving imported Western styles such as Neoclassic, Konak Style, Art-déco and International Style; third tendency, depending on the fruitful interaction between or a blend of European with local principles. It was embodied by the 1910-1950s Syrian Style.

İstanbul 29 Mayıs Üniversitesi Senatosunun 22.06.2020 tarihli ve 2020/14-5 sayılı Açık Bilim Politikası gereğince erişime açılmıştır.