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dc.contributor.authorSoufan, Anas
dc.date.accessioned2015-02-05T09:09:10Z
dc.date.available2015-02-05T09:09:10Z
dc.date.issued2014
dc.identifier.urihttps://hdl.handle.net/20.500.12723/1521
dc.description.abstractDuring the studied period, the Syrian architectural realizations were stimulated by the charting reformists’ discourse, reflecting their contrasts and promoting three main tendencies: first, conserving the local and Ottoman architectural traditions and supporting the artistic autonomy; second, improving imported Western styles such as Neoclassic, Konak Style, Art-déco and International Style; third tendency, depending on the fruitful interaction between or a blend of European with local principles. It was embodied by the 1910-1950s Syrian Style.en_US
dc.description.abstractİstanbul 29 Mayıs Üniversitesi Senatosunun 22.06.2020 tarihli ve 2020/14-5 sayılı Açık Bilim Politikası gereğince erişime açılmıştır.
dc.language.isoengen_US
dc.publisherİstanbul 29 Mayıs Üniversitesi; İstanbul Büyükşehir Belediyesi Kültür A.Ş.en_US
dc.rightsinfo:eu-repo/semantics/openAccessen_US
dc.subjectİstanbulen_US
dc.titleIstanbul-Damascus: Transcultural Memory And Architecture of Modernity Prototypingen_US
dc.typearticleen_US
dc.relation.publicationcategoryMakale - Ulusal Hakemli Dergi - Kurum Öğretim Elemanıen_US


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